Share on facebook
Facebook
Share on twitter
Twitter
Share on pinterest
Pinterest
Share on linkedin
LinkedIn

Botticelli’s Venus and Mars Explained

Boticelli's Venus and Mars
Sandro Botticelli , Venus and Mars. 1483 National Gallery of Art UK

Botticelli’s Venus and Mars is both beautiful and humorous. Mischievous satyrs, clear bright colors, hidden symbols, and missing legs all deserve a closer look so let’s get started. 

Botticelli’s paintings of mythological stories are among his most famous. Botticelli’s Venus and Mars is telling the story of the illicit love affair between Venus and Mars. The gods and goddesses in Greek and Roman mythology seemed to move through lovers with astounding speed, and keeping up with the players can be confusing, keeping track of their offspring is like entering the Labyrinth.

The Myth

In this retelling of the story we have Venus reclining on the left side of the painting in a beautiful white gown with gold trim. She is alert, calm, and looking off into the distance. Mars is sprawled to the left, sound asleep, presumably after love making. These simple observations bring us to the central theme of the work, that love conquers all.

Venus and Mars
Detail of Sandro Botticelli’s Venus and Mars

Venus is the goddess of love; Mars is the god of war. With Venus awake and alert, and Mars dead to the world, it is clear who the conquering heroine is in this rendition of the story. The lance and the conch shell provide more sexual imagery, and the sleeping Mars plays into a common comedic theme in Renaissance Italy, that being the habit of the man to fall asleep after sex.

The figure of Venus is reclining in a classical gown, looking regal and calm. The plait of her hair wraps around and becomes part of the adornment of her dress. She embodies grace and beauty and stands in stark contrast to Mars.

Sleeping

Mars is not just dozing, he is sound asleep. Hardly the god of war in this painting, he’s put aside his weapons and armor and is sprawling, naked and defenseless on the ground. Botticelli has emphasized just how sound asleep he is in a variety of ways. Most noticeably, we have the four little satyrs playing with his weapons.

In some readings of Botticelli’s Venus and Mars, the four boys are referred to as putti (chubby male children, often naked and with wings), in some as satyrs. Either way they are obviously mischievous and enjoying themselves enormously. One of the boys has crawled into Mars armor and is peeking out at us from under his arm, and the other three have picked up his lance, one wearing his helmet, one about to blow a conch shell into his ear. It should be noted that the armor and helmet that protects Mars was made by Venus’ husband, Vulcan. Oh the twist and turns this story takes. (Just after this moment in the myth Vulcan traps the two lovers in a net.)

Wasps Imagery

Beyond the satyrs we also have wasps buzzing around Mars head. Personally, I think I’d notice wasps buzzing that close even if I was asleep, so I’m beginning to have doubts about Mars’ military skills. Surely a successful warrior should be a bit more aware.

Beyond indicating deep sleep, the wasps might also provide a clue as to who the painting was created for. The provenance of this piece isn’t known, but it is believed it likely commemorates a wedding, or was  a wedding gift commissioned by the Vespucci family.  Botticelli had accepted commissions from the Vespucci’s in the past, and they had been his neighbors when he was a child. Their coat of arms includes the wasp.

Actually, their name means ‘little wasps’ in Italian. Frequently in commissioned paintings, the family crest of the patron would be included in the painting. It is believed by some experts that instead of painting the crest in the upper right corner, Botticelli decided to incorporate a natural element that would serve the same purpose. Hence, there is a wasps nest hanging beside Mar’s head, a nod to his patron and a bit of a visual joke.

Beyond the real wasps there is the image of a wasp on the jewel that hangs around Venus’ neck, and with her hair forming a V we have another symbol of the Vespucci family. In fact, if you look closely at the painting you will find an incredible number of V’s, including the trim on Venus’s gown.

We sometimes think of Renaissance art as being very serious, but in Botticelli’s Venus and Mars we see amusement and humor. The satyrs, the snoring Mars, and the fairly disinterested Venus combine to create a painting of great beauty and a light atmosphere of fun.

Even though this painting shows the couple just after making love, Venus appears very demure and chaste, while Mars sprawls on the ground naked. This is another point in favor of believing this painting was a wedding gift. During this time it was believed that if a young bride (who would be chaste) gazed on male beauty she would be more likely to have male children or an heir, the goal of most Renaissance marriages.

What is with the legs?

Explanation of all of the symbolism in this beautiful painting of Venus and Mars by Sandro Botticelli. #kellybagdanov #homeschool #homeschooling #arthistory #arthistoryresource #charlottemasonresource #classicalconversationresource #sonlightresource #storyoftheworldresource #Botticelli #teaching Botticelli #venusandmars #mythology It should be noted that while we have a presentation of idealized beauty, the bodies we are looking at are not perfect. The dimensions are off. The leg of Mars that is raised is too short, and the position of Venus’ legs is unnatural, in fact, it’s hard to find her right leg at all.

Another characteristic of Botticelli’s art is the use of outlines. The outlines are easy to see on Mars body where the colors contrast. These lines give his figures a crispness and clarity that is unique. It’s fun to take a magazine photo and, with a very fine black tip pen, outline the face, arms etc. and note how it changes the image.

When my husband was reading this article we got into a debate about Mars’ legs. I think the top one is short, he thinks the bottom leg. At the very least I think the bent leg is a little strange looking. but it does seem the distance of the thigh might be longer. Let us know where you weight in on all of the legs in this painting. Is Venus missing a bottom leg? Are Mars’ legs mismatched? It was these inconsistencies that kept Botticelli out of the top rung of Renaissance artists.

While this painting is lighthearted Peter Paul Rueben’s painting The Horrors of War, takes an entirely different look at the relationship between Venus and Mars. In that painting Mars is clearly choosing war over love.

If you would like to examine another Botticelli work, the  Mystic Nativity is a fascinating painting fraught with danger and controversy,

If you’ve enjoyed this post you can check out other posts on Art here.

This video is a lecture on Botticelli’s Venus and Mars is housed at the National Gallery in London.

 

Sources

E.H. Gombrich, The Story of Art. (New York, Phaidon Press, 2016)

Professor Sharon Latchaw Hirsh, How to Look at and Understand Great Art, Lecture series, Great Courses

Professor William Koss, History of European Art  Lecture series, Great Courses

Sister Wendy Beckett, The Story of Painting (London, Dorsey Kindersley, 2000)

Marilyn Stokstad, Art History. (New Jersey, Pearson Education, 2005)

National Gallery of Art website  www.nga.gov

Metropolitan Museum of Art website  www.metmuseum.org

The Getty Center www.getty.edu

And thanks to the Met and Wiki commons quality images for public domain art is now much more easily accessible.

h

Subscribe to KellyBagdanov

Join a generous group of people who help me continue to serve teachers and lovers of art. Click the button below and become a patron!

Top Posts

Who are we?

Kellybagdanov.com is a rich source for educators who are interested in integrating Art History into their teaching model. You can find Art History Curriculum and Resources for teaching here.

Kids at Home while Schools are shut down?

Wondering what to do with all the time your kids have now that they are home? WE have a solution for you. Fun, interesting, and learning all built into a great educational activity.

Grab “An Overview of Western Art” today.

50% off through April 19 use coupon code:  coronavirus

Affiliate Disclosure

Disclosure: Some of the links on this site are affiliate links, meaning, at no cost to you, I will earn a commission if you click through and make a purchase.

Download Your Free Curriculum

The Grand Tour Art History Curriculum

Compare 4 works of art from the Italian Renaissance with 4 works from the Byzantine era to begin building the framework we will build on in future lessons. This download will introduce you to the overview portion of the Grand Tour Art History Curriculum and will add your email to our subscription list.

More Articles

Arena Chapel Giotto di Bondone

Giotto Arena Chapel Nativity

The Giotto Arena Chapel Nativity is the subject for day 3 on our Advent in Art Series. Background of the Giotto Arena Chapel In a Northeast corner of Italy is the city of Padua. Even in 1303, Padua was a cosmopolitan center boasting a prestigious University. One of the residents was a man named Enrico

Read More »
Article on the medieval Prayer Nut

Prayer Nuts

A prayer nut is a Gothic, miniature sculpture contained inside of a sphere of boxwood. Prayer nuts were all the rage during the 1500’s, and personally, I’m not sure why they fell out of style. I find them fascinating. At the end of the post, I’ve linked to my video on this subject if you

Read More »
Resources Shakespeare

Shakespeare Resources

  In a previous article I made the case for teaching Shakespeare to your students. If you haven’t read that article you can find it here. Or if you are interested in background information that is helpful when teaching Shakespeare you can check here.         As promised, here are some resources I

Read More »